The Changing Realm of Latin Jazz
Trumpet - When many people think about Latin Jazz, a salsa dance party one thinks of, with hot dance rhythms charging behind jazz harmonies and improvised solos. This is certainly one aspect with this style - musicians like Tito Puente, Mongo Santamaria, Cal Tjader, and Ray Barretto have gotten people around the oasis for many years with jazz and Cuban rhythms.
Dance rhythms certainly hold a spot in modern Latin Jazz, but a growing quantity of artists have abandoned the dance floor for different cultural and artistic influences. Today, many Latin Jazz musicians integrate rhythmic traditions from a broader spectrum from the Caribbean and South usa, often blending cultural elements with modern jazz influences.
Latin jazz - Traditional Afro-Peruvian rhythms have played most inside the expansion of Latin Jazz, bringing rhythmic styles like the festejo and landó in to the style as well a far more guitar heavy approach. Guitarist Richie Zellon has combined these traditions with jazz harmonies extensively while trumpet player Gabriel Alegria has developed an exceptional approach together with his Afro-Peruvian Sextet.
While stateside Latin Jazz always carried a Puerto Rican influence, it's got only been recently that artists have convey a distinct emphasis upon the idea of traditional rhythms like bomba and plena supporting jazz contexts. Trombonist Papo Vazquez has utilized his ferocious command of bebop over Puerto Rican rhythms while saxophonist Miguel Zenón has dived deep into plena and classic Puerto Rican songs being a foundation for jazz.
Argentina has long been recognized for it's passionate tango, and lots of musicians have found that music is a natural fit for jazz. Bassist Pablo Aslan has produced a unique language for improvising around tango structures while pianist Pablo Ziegler has continued the work of influential composer Astor Piazzolla using a distinct jazz twist.
Listeners often take into account the lush bossa novas of Antonio Carlos Jobim when they think about the mixture of Brazilian rhythms and jazz, nevertheless the style has exploded into something much more dynamic. Pianist Jovino Santos Neto has built upon his long tenure with composer Hermeto Pascoal and designed a highly creative repertoire of original Brazilian jazz while drummer Duduka Da Fonseca has blended the freedom behind a fresh York jazz sensibility with dynamic samba rhythms.
Grammy awards - The oasis is unquestionably still an integral part of Latin Jazz - just pay attention to the background music of Poncho Sanchez or Pete Escovedo to get a healthy dose of danceable jazz. The design has certainly expanded artistically, reflecting a far more encompassing spectrum of Latin traditions and providing listeners a far more diverse experience.